'Zilla Attack!

oniron:

This is what is happening in Italy. They’re called “le sentinelle in piedi”, the Standing Sentinels. They stand silently, holding a book, to oppose gay rights. “The marriage is only between a man and a woman”, they say. “A child has the right to have his mom and his dad.”
They stand silently to oppose same-sex marriage, they stand silently to oppose same- sex adoption, they stand silently to oppose love

UK, USA, France, Spain, Portugal, Brazil, Canada, Norway, Denmark. They’re all taking steps forward with gay rights. Not in Italy, where they claim to be open minded and civilized citizens. All over the world Italy is well known for good food, fashion, art, music and culture. What people don’t know is that there’s an actual silent war - and it’s not only about the Standing Sentinels - against gay people. They always say “you should be proud to be Italian”. Well. I’m not proud to be part of the “cool and civilized population” that stands against gay rights.

Today, in the 21st century, there are still people fighting against love, there are still places where love is illegal, where people have no rights to be themselves. Just take a moment to think about it, please. Stop pretending everything is fine. 

There’s a war going on. And we need to fight back.

setbabiesonfire:

impala-sonic-deductions:

vivere-est-ars:

every woman on tumblr should have this on their dash

And every man

Look how nobody’s yelling or arguing or making things into a competition. Look how this is to straight up educate people through a different perspective. Look how effective that makes the message.

copdoccubus:

punkshadowthief:

sparksel:

commandershepardofficial:

thefrillyqueer:

hayhtam:

things to consider:

  • lady assassins 
  • lady assassins WITH GIRLFRIENDS 

But also:

  • lady assassins with girlfriends who are ALSO lady assassins

lady assassins with girlfriends who are also lady assassins but they don’t know about each other’s secret double life

Mrs and mrs smith

Staring Natalie Dormer

And Lucy Liu 

spanish and italian: So THESE words are feminine and THESE words are masculine, and you ALWAYS put an adjective AFTER the noun.
french: haha i dont fuckin know man just do whatever
german: LET'S ADD A NEUTRAL NOUN HAHA
english: *shooting up in the bathroom*
gaelic: the pronounciation changes depending on the gender and what letter the word starts and ends with and hahah i dont even know good fucking luck
polish: here have all of these consonants have fun
japanese: subject article noun article verb. too bad there's three fucking alphabets lmao hope your first language isn't western
welsh: sneeze, and chances are you've got it right. idfk
chinese: here's a picture. draw it. it means something. it can be pronounced four different ways. these twenty other pictures are pronounced the same but have very different meanings. godspeed.
arabic: so here's this one word. it actually translates to three words. also pronouns don't really exist. the gender is all in the verb. have fun!
latin: here memorize 500 charts and then you still dont know what the fuck is happening
sign language: If you move this sign by a tenth of an inch, you'll be signing "penis"
russian: idk man its pronounced like its spelt but good fucking luck spelling it
Greek: so basically we're going to add 15 syllables to every word you know and assign it one of 3 genders at random. Also good luck figuring out where to put the accents you piece of shit
name & number (Caitlyn/Vi)

swapcats:

Part one in a series. Caitlyn and Vi’s slowly developing relationship. 12,000 words.

*

       “How many times do I have to tell you?” Caitlyn begins with a sigh, rinsing her cup out under the tepid water. “Don’t call me Cupcake when I’m on duty.”

       “But I never see you outside of the station,” Vi says, making a complaint out of it.

       “Exactly,” Caitlyn says. “Tea?”

*

Read More

hoodbypussy:

Évolution inversée

“It took me four years to paint like Raphael, but a lifetime to paint like a child.”
― Pablo Picasso

dalekpoetry:

hetastein:

special-snowflake-hall-of-fame:

beyoncevevo:

perfectgay:

what has four letters and is very hard

rock

math

life

This post got really deep really fast

pocketpsychologist:

seaminglycomplex:

This is the best ASL Bucket Challenge I’ve seen so far.

what had me cracking up was the way the mask deflated at the end

I will admit it. I have read all three books in the Fifty Shades of Grey series.

I am not admitting this because I am ashamed of my sexual desires or even because I feel the need to rant and rave about the poor writing quality of these books. (And it is extremely poor. I set my Kindle to count how many times the word “gasp” is used in the third book and the total was more than 70). I am admitting this because I feel the need to share my opinions about what I consider to be the incredibly — and dangerously — abusive relationship portrayed in the books.

When I first heard about Fifty Shades of Grey and learned they began as Twilight fanfiction, I swore I would not read them. I have read all of the Twilight books and I did not enjoy them. I found the relationships between Edward and Bella and Bella and Jacob to be patronizing and emotionally abusive, and I also thought the writing was pedestrian at best and boring to read. Why would I devote the limited amount of time I have for reading for pleasure to a series like this?

But as the dialogue about Fifty Shades of Grey increased, both in the media and amongst my friends, my curiosity was piqued. I attended a talk titled “Fifty Shades of Grey - Bad for Women, Bad for Sex” and decided that I should see what all the fuss was about.

To quote the book, I gasped. I rolled my eyes. I even bit my lip a few times. But not for the reasons Anastasia, the protagonist, did. I did out of exasperation, boredom and disgust, but also out of fear. After reading this book series, I am deeply afraid that this type of relationship will be viewed as the romantic ideal for women. And I consider that to be extremely dangerous — much more so than anything that takes place between Christian and Anastasia in the Red Room of Pain.

Could the character of Anastasia Steele be any more of a stereotype? She is an introvert, has low self-esteem, has abandonment issues from her father, apparently has only one close friend who bullies her and even though she works in a hardware store, she doesn’t seem to possess any self-sufficiency aside from cooking for her roommate and herself. She seems to have no sexual identity until Christian Grey enters her life and requests that she become his Submissive in a sexual relationship.

In order to be Christian’s submissive, Anastasia is expected to sign a lengthy and detailed contract that, amongst other requirements, requires that she exercise four days a week with a trainer that Christian provides (and who will report to Christian on her progress), eat only from a list of foods Christian supplies her with, get eight hours of sleep a night and begin taking a form of birth control so Christian will not have to wear condoms. Anastasia negotiates a few terms of the contract with Christian (she only wants to work out three days a week, not four), but all of her negotiations are only within his framework — none of the terms are hers independently. Nothing in their relationship is hers as an independent.

The character of Christian Grey is a rich, superpowered businessman who was abused as a child. He is in therapy, and Anastasia frequently references his therapist, but based on how he treats Anastasia, he doesn’t seem to be making much progress. As Anastasia’s relationship with Christian progresses, his controlling tendencies affect her life more and more. When her friend takes portraits of her for his photography exhibit, Christian buys all of them, because he does not want anyone else looking at Anastasia. (They weren’t even in a relationship when he did this.) When she is hired as an assistant at a publishing company, he buys the company — to make sure she’s “safe” working there. When she goes out to a bar with her one friend, against his wishes, he flies from New York to Washington State that same night, just to express his anger — and exercise his control over her. When she does not immediately change her name at her office (in hopes of maintaining some professional autonomy, given that he bought the company she works at), he shows up, unannounced, at her office, in the middle of her workday, to pick a fight with her. When she asks why it is so important to him that she change her name, he says he wants everyone to know she is his.

Christian’s possession of Anastasia is the cause of much of my disgust and fear of the book’s influence on people and how they view romantic relationships. After they exchange their wedding vows, the first words he says to her are, “Finally, you’re mine.” The control he exercises over her does not reflect his love for her; it reflects his objectifying of her. Christian never views Anastasia as a person, let alone an independent woman. He wants her to obey him, and even though she refuses to include that in her wedding vows, it is exactly what she does. When her mother questions her choice to keep her wedding dress on rather than change before traveling for her honeymoon, she says, “Christian likes this dress, and I want to please him.” Her desire to try some of the “kinky fuckery” in his Red Room of Pain comes from wanting to demonstrate her love for him, not her own sexual desires.

Wanting to please Christian apparently includes subjecting herself to verbal and emotional abuse from him ‘til death do them part, because any time she tries to stand up to him — which isn’t often — he berates her, guilt trips her and beats her down verbally until she apologizes and submits to him. After she uses the “safe word” in the Red Room of Pain so he will stop, he bemoans his sad state of mind later, mentioning that his “wife fucking safe worded him.” He is not concerned with her well-being or why she felt the need to use the safe word. He only cares about how it affects him.

The question that I kept asking myself as I read the books was why Anastasia stayed with Christian, and the answer I found was that she has absolutely no sense of self worth. She only feels sexy when he says she is, and when he insults or patronizes her, she accepts what he says as the truth. One of the passages that disgusted me the most was when Anastasia was at a club with Christian, dancing and thinking to herself that she never felt sexy before she met him and that he had given her confidence in her body. Yes, being with a partner who frequently compliments you can increase your confidence, but Anastasia went from zero to one hundred thanks to Christian. None of that came from within herself. Because of his influence on her, nothing in her life came from herself — her job, her home, her way of life, or even her self-esteem.

The co-dependency between Anastasia and Christian is alarming to read and even more to contemplate. When she breaks up with him at the end of the first book, the second book finds her starving herself and wasting away to nothing until he contacts her again. When she thinks his helicopter has crashed in the second book, she thinks to herself that she can’t live without him. Their marriage only comes about because he is scared she will leave him, and when she asks what she can do to prove to him she isn’t going anywhere, he says she can marry him. Yes, origins of insecurity and desperation are a great start to a healthy marriage.

When Anastasia finds herself unexpectedly pregnant and shares the news with Christian, he rages at her, asking if she did it on purpose and storming out of the house, disappearing for hours. Even though Anastasia thinks to herself that the pregnancy happened too soon in their marriage, she never considers terminating it.

The themes of the novel — that love alone can make someone change, that abuse from a spouse is acceptable as long as he’s great in bed, that pregnancies should always be carried to term even if the parents are not ready to be parents, and the ridiculously antiquated, Victorian idea that the love of a pure virgin can save a wayward man from himself — are irrational, unbelievable and dangerous.

Our culture has seen a radical shift of ideals moving towards traditional gender roles and Fifty Shades of Grey is a shining example of that. Early marriage to one’s first sexual partner, having a baby even when saying neither of the partners is ready to be a parent, and submission to one’s husband as the head of the household are all aspects of life that feminists and progressive thinkers have worked to move beyond. Anastasia and Christian’s relationship is not romantic. It is abusive. The ways he tries to “keep her safe” are not masculine or sexy. They are stalking. Fearing one’s husband’s reaction to an unexpected pregnancy is not normal, because “boys will be boys.” It is sad and dangerous and should not happen in a healthy relationship.

Fifty Shades of Grey was one of the best-selling books of the year. Sex toy classes have been inspired by it, as have new types of cocktails. The film adaptation is already in the works. I sincerely hope that honest discussion will be had about the book and that the Christian Grey ideal of romance is not one that will be perpetuated throughout our culture. The best way that can happen is through open, honest dialogue that leads to healthy relationships of two equal partners. That, in my opinion, is sexier than anything that can happen in the Red Room of Pain.

GET TO KNOW ME MEME: 10 favorite celebrities » Natalie Dormer

I’ve always been a black sheep. That’s a hard thing to be until you find your calling in life. I was bullied a lot at school, probably because I was perceived to be different from everyone else.
kurawpika:

 
Cait/Vi - 380 words - The moment Cait realised she was in love with Vi
Anonymous

fmorgana:

swapwrites:

        Vi’s hands tremble, lighter sparking out of time with the twisted wreckage of her gauntlets. The flickering street lamp above splutters into the depths of darkness, and the flame at Vi’s thumb is the only thing lighting up her face. Drizzle plasters her hair across her face and Vi sneers through the cold, striking the lighter against her palm.

        The flint wheel spins: nothing.

        One bullet, Caitlyn reminds herself. One shot.

        She’s pressed up against what’s left of a brick wall. At her hip, the radio sounds out kssssh – kkkkkch – ktch, and she twists the dial, silencing it with a tkk. No distractions. Not now.

        They’ve been trailing this guy for thirty-six endless hours – thirty-six hours without sleep, without anything to eat but the sticky chocolate bars Vi stashes in the squad car – and it all comes down to this.

        And the thing is, her hands are shaking as badly as Vi’s.

        “Piece of—” Vi grumbles, tossing the lighter to the side.

        She brings her hands together, cursing the cold. They’re wet with rain, stiff with exhaustion, and rubbing them together only makes her elbows ache.

        “Here,” Vi says. “Not exactly an roarin’ fire, but…”

        She takes Caitlyn’s hands between her own, dirt-stained and calloused, riddled with burns courtesy of her mangled gauntlets, saying nothing of her own cuts and bruises. Leaning closer, Vi breathes the life back into Caitlyn’s hands, thumbs rubbing against her knuckles.

        “You could’ve run,” Caitlyn murmurs, “We haven’t accidentally lost half the squad over the last thirty-six hours.”

        “Pssh,” Vi says, laughing it off. “I’m a cop, remember?”

        Later, when Caitlyn files her report, there’ll be an ocean between what she thinks and what she writes. What sticks with her isn’t the sudden weight in her chest, the sinking sensation blooming behind her bruised ribs, but the stark awareness that she trusts Vi.

        She can trace some things back to the second. Vi knelt before her, shivering, using her own hands to steady hers. But knowing she trusts her so wholly, so completely, is enough to obscure the fact that she’s in love with the woman she dragged over from the wrong side of the law.

        “One shot, Cupcake,” Vi says, letting go. “Make it count.”

YESSSSSSSSSSSSSSSSS

Rise of the Tomb Raider Petition

ray-croft:

Petition to have Rise of The Tomb Raider released on PS4, Xbox One, and PC. It only takes a moment and we have almost reached our goal. Thank You.

https://www.change.org/petitions/square-enix-and-crystal-dynamics-rescind-the-arrangement-to-publish-rise-of-the-tomb-raider-exclusively-on-xbox-one-2

image

omb